Recent Publications by WMA Members
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Indexed by last name.
A
“Der Operntext soll ein Carton sein, kein fertiges Bilb.” IASLonline. 2009.
“Sündenfall der Brecht-Rezeption. Eine Untersuchung des Lukullus-Komplexes als exemplarische Geschichte deutscher Kultur im 20. Jahrhundert.” IASLonline. 2008.
“Thomas Mann: Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde.” Arbitrium 2 (2008): 230-236.
B
“From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation.” David Francis Urrows, Ed. Word and Music Studies: Essays on Word/Music Adaptation and on Surveying the Field. Word and Music Studies 9. Amsterdam & New York: Rodopi, 2008. 13-27.
“What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies.” Wolfgang Zach and Michael Kenneally, Eds. Literatures in English: Priorities of Research. Studies in English and Comparative Literature 21. Tübingen: Stauffenberg, 2008. 41-46.
“‘Pour Out…Forgiveness Like a Wine’: Can Music ‘Say an Existence is Wrong’?” Keith Chapin and Lawrence Kramer, Eds. Musical Meaning and Human Values. New York: Fordham University Press, 2009. 170-183.
Werner Wolf and Walter Bernhart, Eds. Framing Borders in Literature and Other Media. Studies in Intermediality 1. Amsterdam & New York: Rodopi, 2006.
Werner Wolf and Walter Bernhart, Eds. Description in Literature and Other Media. Studies in Intermediality 2. Amsterdam & New York: Rodopi, 2007.
C
Delia da Sousa Correa, Katia Chornik, and Robert Samuels. “Literature and Music: Interdisciplinary Research and Teaching at The Open University.” Crossing the Divides: Multi-Disciplinary Approaches to Teaching and Researching English Studies. Special issue of the electronic journal Working With English: Modern and Medieval Language, Literature and Drama. http://www.nottingham.ac.uk/~aezweb/working_with_english/5/
“Literary Research and Other Media.” Delia da Sousa Correa and W. R. Owens, Eds. The Handbook to Literary Research, 2nd edition. London: Routledge, 2009. 148-158.
Delia da Sousa Correa and Robert Fraser. “Stories about Music.” Robert Philip, Ed. Musical Narratives. Milton Keynes: The Open University, 2008. 153-210.
“Victorian Soundscapes and the potential for interdisciplinary exchange.” Martin Hewitt and Rachel Cowgill, Eds. Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, vol. 9. Leeds: Leeds Centre for Victorian Studies, 2007. 9-36.
Delia da Sousa Correa, Katia Chornik, and Robert Samuels. “Literature and Music: Interdisciplinary Research and Teaching at The Open University.” Crossing the Divides: Multi-Disciplinary Approaches to Teaching and Researching English Studies. Special issue of the electronic journal Working With English: Modern and Medieval Language, Literature and Drama. http://www.nottingham.ac.uk/~aezweb/working_with_english/5/
E
Ed. Media Borders, Multimodality, and Intermediality. Hampshire: Palgrave Macmillan. (forthcoming)
“Intermedial Topography and Metaphorical Interaction.” Lars Elleström, Ed. Media Borders, Multimodality and Intermediality. Hampshire: Palgrave Macmillan. (forthcoming)
"Modes of Musicality in Paul Celan’s Die Niemandsrose.” Seminar: A Journal of Germanic Studies 45.2 (2009): 138-158.
“(Im)possibilities of Communication: On the interplay between Paul Celan’s poetry and the music of Ruzicka and Dittrich.” Perspectives of New Music 46.2 (2008): 5-32.
“‘Streicht dunkler die Geigen': Berio and Birtwistle in Dialogue with Paul Celan.” Siglind Bruhn, Ed. Sonic Transformations of Literary Texts: From Program Music to Musical Ekphrasis. Hillsdale: Pendragon Press, 2008. 119-141.
K
Katherine Kolb and Jean-Louis Pautrot, Eds. “Ouvertures musicales.” L’Esprit Créateur 47.2 (Summer 2007). An issue devoted to music in current French literature.
Lawrence Kramer and Keith Chapin, Eds. Musical Meaning and Human Values. New York: Fordham University Press, 2009.
“The Talking Wound and the Foolish Question: Symbolization in Parsifal.” Opera Quarterly 22 (2007): 208-229.
N
“I Zarathustras spar, Nietzschesångerna.” Bengt Olof Engström, Orwar Eriksson, Lennart Hedwall, and Henrik Karlsson, Eds. Wilhelm Peterson-Berger en vägvisare. Musikaliska Akademiens skriftserie. 2006.
“Adaptationer av Esaias Tegnérs Frithiofs saga.” Clas Zilliacus, Heidi Grönstrand, and Ulrika Gustafsson, Eds. Gränser i nordisk litteratur. IASS XXVI. 2006.
P
Katherine Kolb and Jean-Louis Pautrot, Eds. “Ouvertures musicales.” L’Esprit Créateur 47.2 (Summer 2007). An issue devoted to music in current French literature.
Pascal Quignard ou le fonds du monde. Amsterdam &New York: Rodopi, 2007.
The André Hodeir Jazz Reader. Ann Arbor, MI: The University of Michigan Press, 2006.
“Anticipation and delay as microrhythm and gesture in Hip Hop Aesthetics.” Journal of Music and Meaning. (forthcoming)
“Aesthetic Experience and Aestheticization: The Rhythm of Hip Hop Music.” Jan Hein Hoogstad and B.S. Pedersen, Eds. Pluralizing Rhythm. Amsterdam & New York, NY: Rodopi, 2009.
S
Delia da Sousa Correa, Katia Chornik, and Robert Samuels. “Literature and Music: Interdisciplinary Research and Teaching at The Open University.” Crossing the Divides: Multi-Disciplinary Approaches to Teaching and Researching English Studies. Special issue of the electronic journal Working With English: Modern and Medieval Language, Literature and Drama. http://www.nottingham.ac.uk/~aezweb/working_with_english/5/
W
Words and Music: Camus, Beckett, Cage, Gould. New York: Peter Lang, 2009.
“Musical Qualities in Samuel Beckett's En Attendant Godot.” Word and Music Studies Forum, 2009. http://wordmusicstudies.org/forum-2009/forum-2009-weagel.htm.
“Musical and Verbal Counterpoint in ‘Thirty Two Short Films About Glenn Gould’.” Suzanne M. Lodato and David Francis Urrows, Eds. Essays on Music and the Spoken Word and on Surveying the Field. Word and Music Studies 7. Amsterdam & New York: Rodopi. 2005. 181-96.
Werner Wolf, Ed. in collaboration with Katharina Bantleon and Jeff Thoss. Metareference across Media: Theory and Case Studies. Dedicated to Walter Bernhart on the Occasion of his Retirement. Studies in Intermediality 4. Amsterdam & New York: Rodopi, 2009.
“Erzählende Musik? Zum erzähltheoretischen Konzept der Narrativität und dessen Anwendbarkeit auf Instrumentalmusik.” Melanie Unseld and Stefan Weiss, Eds. Der Komponist als Erzähler: Narrativität in Dmitri Schostakowitschs Instrumentalmusik. Ligaturen 2. Hildesheim: Olms, 2008. 17-44.
“Metafiction and Metamusic: Exploring the limits of metareference.” Winfried Nöth and Nina Bishara, Eds. Self-Reference in the Media. Approaches to Applied Semiotics 6. Berlin: Mouton de Gruyter, 2007. 303-324.
Werner Wolf and Walter Bernhart, Eds. Framing Borders in Literature and Other Media. Studies in Intermediality 1. Amsterdam & New York NY: Rodopi, 2006.
Werner Wolf and Walter Bernhart, Eds. Description in Literature and Other Media. Studies in Intermediality 2. Amsterdam & New York: Rodopi, 2007.
Y
"Bound by Sound: Music, Masculinity and Dante Gabriel Rossetti". Critical Survey 20:3 (2008). 79-96.